Ant-Man and the Wasp (2018)
- Documented locations
- 65
- Year
- 2018
- Directed by
- Peyton Reed
- Cities
- Savannah, San Francisco, Hauula, Oakland, Atlanta, Fayetteville, Newnan, Berkeley
Savannah, United States
The scene : Behind 225 East River Street, at the corner of Lincoln Street and with the camera facing west, we film Hank and Janet's departure for a business trip. The final cut did not include this shot.
Savannah, United States
The scene : Still for the abandoned Argentine sequence, a shot was taken in front of the facade of the house.
Savannah, United States
The scene : The intersection, framed by the Episcopal Church of Christ and a bank, features a shot from the same Argentine sequence, filmed from the opposite sidewalk.
San Francisco, United States
The scene : A white SUV and a pack of motorcycles race down the slope towards Sansome Street, chasing Sonny Burch and his men. Only the trailer remains as a trace.
Hauula, United States
The scene : The film concludes here: Hank and Janet finally enjoy their reunion on a deserted beach, the Pym villa restored to its normal size behind them.
San Francisco, United States
The scene : Bill Foster and Ava take refuge in this alley of Chinatown for a final exchange, as the threads of the plot unravel.
San Francisco, United States
The scene : To throw off his pursuers, Scott leaves his empty and oversized Giant-Man suit at the foot of the building as a decoy.
San Francisco, United States
The scene : Agent Jimmy Woo's SUV turns off Jackson Street to head north on Laguna Street, following the trail of Giant-Man.
San Francisco, United States
The scene : At the end of the film, Luis's purple Veloster drives along the dock while Scott, having become a giant, picks Sonny Burch off a cruise ship.
San Francisco, United States
The scene : Sonny Burch emerges from the alley onto the street, passes by a fast food restaurant, and heads towards Fisherman's Wharf, the miniaturized laboratory under his arm.
San Francisco, United States
The scene : Luis negotiates a sharp turn to leave Broadway and heads north up Jones Street in the purple Veloster.
San Francisco, United States
The scene : Hounded by the henchmen, Luis speeds up the Veloster and plunges down the slope in front of the building.
San Francisco, United States
The scene : The intersection acts as a ramp: the Veloster takes off, chased by the car behind it.
San Francisco, United States
The scene : Luis's pursuers finish their chase at the bottom of the hill while he speeds down Filbert Street. The shot looks west.
San Francisco, United States
The scene : Scott races down the slope of Mason Street, hanging onto the flatbed truck. The shot occupies the left half of a split screen.
San Francisco, United States
The scene : The van approaches the winding street; Hope narrows it once more and a third black SUV flips over a car at the top of Russian Hill.
San Francisco, United States
The scene : A black SUV tailgates Hope and Luis's van; they reengage the shrinking and slide underneath. Brief shot oriented to the south.
San Francisco, United States
The scene : The 4x4 crushes the flattened truck and then is catapulted from California Street towards Jones Street, where Hope returns the vehicle to its normal size.
San Francisco, United States
The scene : The SUVs catch up with Hope and Luis's truck at the corner of the two streets, descending south.
San Francisco, United States
The scene : Hope and Luis distance the Escalade and Yukon from Sonny Burch on the descent of Montgomery Street, driving their Mercedes-Benz Sprinter; they cross the intersection, the van narrows, and a pursuer crashes into a parked car.
San Francisco, United States
The scene : A giant arrow, drawn by a swarm of ants, points Hank in the direction of the stolen laboratory; his gaze shifts towards the Coit Tower. Later, Luis loses his pursuers on the same street.
San Francisco, United States
The scene : Hope walks along the sidewalk on the phone, in front of a wine shop, across from Scott's building.
San Francisco, United States
The scene : Assigned to house arrest after Berlin, Scott lives in the Victorian apartment overlooking a bookstore. This is where he serves his two years and recounts, under truth serum, his version of events.
San Francisco, United States
The scene : Scott, in flight, passes over the tower; it also looms in the background of the drive down Filbert Street.
San Francisco, United States
The scene : A transition shot embraces the city and its bridge from the island.
San Francisco, United States
The scene : The bridge features one of the two grand opening shots of the film, taken from the east side and directed towards downtown. It also serves as a transition between Oakland and San Francisco.
San Francisco, United States
The scene : Hank Pym's Victorian home stands on the edge of the park. It is seen in the prologue, back when Janet still lived there, before her disappearance into the Quantum Realm.
San Francisco, United States
Catholic Church with twin spires in North Beach, facing Washington Square. Built in 1924, it features a neo-Romanesque style.
The scene : The two steeples of the church stand out in the background of the shot on Filbert Street.
San Francisco, United States
The scene : The laboratory returns to its size under the arch of the dock, in front of the tourists. Scott spots Sonny Burch boarding a whale-watching boat, then sends him back to shore.
San Francisco, United States
The scene : The quay is among the listed filming locations for the film.
Oakland, United States
The scene : The building houses Hank Pym's laboratory and his tunnel to the Quantum Realm. Hank shrinks the entire building down to the size of a rolling suitcase, which he loads into a car, leaving the lot empty.
Atlanta, United States
The scene : In his crashed car, Sonny Burch dives into an open alley near the intersection to escape Giant-Man, who has just kicked away an SUV.
Atlanta, United States
The scene : Standing on the flatbed truck, Scott drives up Forsyth Street to the north behind the white Escalade, disarms a henchman and then, past this intersection, sends the SUV into parked cars.
Atlanta, United States
The scene : Hope slips into the last SUV near the intersection, where the Ghost passes through a windshield as it dematerializes.
Atlanta, United States
The scene : After knocking out the driver, Hope sends the SUV crashing into the sidewalk, which ends up in a bicycle rack on the Mitchell Street side.
Atlanta, United States
The scene : Scott parks the flatbed truck at the foot of the tower. The café across the street stays empty.
Atlanta, United States
The scene : Scott jumps on the speeding flatbed truck and uses it like a skateboard, then stops it once it has expanded. The intersection is recognizable by its brick pavement marked with a large X. It's also from here, above the Hard Rock Cafe that occupies the corner, that Hope spots the truck from the air after the Ghost stole it.
Atlanta, United States
Hotel tower erected in 1976 according to the plans of architect John Portman, in the vocabulary of the modernist movement.
The scene : The hotel tower occupies the right half of a split screen.
Atlanta, United States
The scene : The Ghost takes over the flatbed truck, the driver jumps out, and Scott and Luis's van crashes into parked cars. Later, Scott leaves the vehicle and flies away on an ant with Luis.
Atlanta, United States
The scene : Hope grapples with Ava on the flatbed truck speeding south; the struggle between the two women takes up the entire block of Peachtree Street.
Atlanta, United States
The scene : Ejected from the windshield wipers, Scott regains his size while Ava blocks the truck's accelerator with a toolbox and dematerializes. Later, she dodges the giant candy dispenser, moves along the van, and enters it to steal the laboratory.
Atlanta, United States
The scene : Burch's white SUV strikes the flatbed truck and sends Hope rolling onto the ground, who tumbles for about a hundred meters while the Escalade speeds straight ahead.
Atlanta, United States
The scene : The intersection concentrates three moments of the chase: Hope flies over it with the camera following Burch's Escalade, Scott joins his teammates there after an SUV has crashed, and two subjective shots taken from the van turn towards Pryor Street.
Atlanta, United States
The scene : Hope reduces a motorcycle mid-air; its rider sprawls on the asphalt in the middle of the intersection.
Atlanta, United States
Former hotel in downtown Atlanta, located at 233-235 Mitchell Street Southwest.
The scene : In front of the old hotel, a passerby sees his car shrink beneath him in the middle of the street.
Atlanta, United States
The scene : The Ghost bursts onto the road in front of a bail bond agency and grabs a motorcycle.
Atlanta, United States
The scene : A biker opens fire on the van as it crosses the intersection. Earlier, it was on this stretch of Mitchell Street, in front of a hair salon, that Burch sends his bikers off in pursuit.
Atlanta, United States
The scene : The Ghost ejects Hope from the van, who barely regains her Wasp size, then jumps from the vehicle onto the flatbed truck.
Atlanta, United States
The scene : Hope balances a Hello Kitty candy machine from the back of the truck, enlarging it mid-air: two motorcycles crash into it.
Atlanta, United States
Former railway wasteland in downtown Atlanta, below street level, currently being redeveloped under the name Centennial Yards.
The scene : Hank and Hope retrieve the building-laboratory from an abandoned parking lot of this industrial wasteland while Scott occupies the Ghost, then return it to its normal size.
Atlanta, United States
The scene : Disguised, Hank sneaks out of the FBI headquarters through an unmarked service door, beneath a restaurant, and the trio makes their escape.
Atlanta, United States
The scene : A brief shot illustrates the story that Luis tells about his grandmother's restaurant and its juke-box filled with Morrissey.
Atlanta, United States
The scene : The factory, both inside and outside, serves as a backdrop to Ava's memory: the explosion that killed her parents and gave her her powers.
Atlanta, United States
The scene : The establishment provides the exterior of Cassie's school, where Scott and Hope come to retrieve the old suit she had brought there for a presentation.
Atlanta, United States
International school founded in 1984.
The scene : The interiors of Cassie's school were filmed here.
Atlanta, United States
The scene : Bill Foster receives the team in his office and amphitheater, then has to make a run for it; the federal agents cross the campus lawn to catch up with him.
Atlanta, United States
The scene : The offices of X-Con Security Consultants, the company set up by Luis, Scott, Kurt, and Dave, occupy the upper floors. Scott and Hope take refuge there after losing the lab; it's there that the tires of an SUV are punctured and Luis warns Scott in the adjacent alley.
Atlanta, United States
The scene : The ballroom, redecorated for the occasion, becomes the chic restaurant where Hope confronts Sonny Burch about the quantum components.
Atlanta, United States
The scene : Scott and Hank wait in the van, parked at the rear loading entrance of the library, on Fairlie Street, while Hope argues with Sonny Burch.
Atlanta, United States
The scene : Shrunk, Scott and Hope are driving a miniature 4x4 when a pigeon swoops down at them, just before a dump truck drives over them.
Atlanta, United States
House in the Virginia-Highland neighborhood, east of Atlanta.
The scene : Released after two years of house arrest, Scott goes to pick up his daughter at his ex-wife Maggie's and shows up unannounced at Cassie's birthday party.
Fayetteville, United States
Fayette County Studios Complex, opened in 2014 on 280 acres south of Atlanta. It serves as the production base for Marvel filming in the southeastern United States.
The scene : The studio serves as the production base for the film; the interiors of Hank Pym's house were built on set.
Fayetteville, United States
The scene : Hank and Hope set up their underground laboratory in a secluded clearing along Sandy Creek Road, where the FBI eventually finds and arrests them.
Newnan, United States
The scene : The modernist concrete house is home to the captured laboratory. Ava, consumed by her molecular imbalance, is watched over there by Bill Foster.
Berkeley, United States
The scene : The film opens with Hope, Scott, and Hank walking through the campus door to the north to find Bill Foster, with Scott commenting on their disguises as they pass.